This could probably be an addendum to my "Gig Heaven" post but I think it is deserving of a standalone vent.
I went along to the Stylish Riots gig at The Scala, Kings Cross - primarily to see Misty's Big Adventure (of course) but was also quite interested in The Pipettes seeing as they'd got a fair bit of coverage in music blog world recently and a bit of retro 50s is fine in my book.
Firstly a minor grip - bloody hell I didn't realise that when I traded in the Football Jonah card I'd be dealt out the Travel Jonah one in return. What is it with the Circle Line - does it hate gigs, does it resent all those thousands of ipods that are aimlessly churning out mindless pop in its intestines each hour and it gets its own back with delays?
Moving into the tranquil zone that is the Scala - for those aren't familiar with it, it's a converted cinema and is an independent venue and is very art deco with some fantastic tile work, there are even the remnants of the cinema aisle seats downstairs - it is a very impressive venue and very atmospheric - but cold, damn being so organised as thinking that checking jackets would be a good thing.
First up was
Absent Kid - didn't really pay an exceptional amount of notice to them as I was enjoying the beer,but they had a good light show, good contrast on vocals and enthusiasm. Now I know they are an Essex band I'll pay more attention to them next time. The audience wasn't that much fussed by them - I wonder if they go back to their mums and say "yeah, you should have seen the crowd, they were heaving, jammed in". Next up was Misty's. Yay, much jigging around was anticipated.
No signature tune performed which was odd but then the standards were run out and there were some others besides the regulars who were bopping away. But not the three "we're here for the Pipettes" polka dotted & striped clad biffas who were right in front of me, right at the front to the band and were standing there like bloody Easter Island Statues. How off putting that must be to the band, particularly one that draws on emotion like a musical vampire such as Misty's. The Biffas remained stock still and I wished I had been sufficiently bevved up just to have barged them out the way. You don't just stand there if you are at the front, for god sakes you are meant to be having fun you morons.
But all was well, EroticVolvo did his stuff, the set was accomplished but there was a bit of a weird atmosphere from the crowd, although there was the usual warming to the band that always happens.
Interestingly this feeling was picked up on the forum for the Pipettes - where Misty's were being discussed in more depth than the Pipettes. It was appropriate summed up as "less riotous, more stylish" Maybe The Wising Up Song hit home a bit too hard.
The Pipettes deserve all the plaudits they get, they are fun, talented, skinny (grrr) and have an excellent rapport with the audience, hitting it off with both the lads and the ladies. Slick lyrics and performance with a rancid underbelly to the songs that initially seem saccharine. One Night Stand in particular stood out and the current single Dirty Mind was executed perfectly. I believe the Biffas may have cracked a smile during the set. And yes, polka dots can look good on people. One of the singers was a spit for my niece in terms of gestures (eye rolling, pouting and raised eyebrows) which was a tadge disconcerting. Good performance, look forward to seeing them again if possible.
Next up was
Twisted Charm, who are very much in the Sex Pistols/Buzzcocks mould but were still excellent. London Scene was excellent, another good bit of contemporary songwriting that provides a point of reference and Phoney People deserves to be a corporate anthem. It's also worth checking the video for London Scene via the website - it's very clever. They got the biggest crowd and were also doing a further set upstairs - but this being a "school night" I didn't take advantage of this. This was the first example of "thrash sax" I've experienced and as Drowned In Sound sum it up "they have a saxophonist and they're still not shit!". Indeed, Mr Georgiou, the aforementioned sax player is excellent and must have the lungs of an elephant to cope with the demands.
Afterall anyone who includes Blue Jam as part of their key influences has got to be all right.
So yet again for less than a £10, I had a fantastic gig experience and am even more empassioned about live music than before. Stick the big gigs - at this rate, my solo Depeche Mode ticket for next year will be winging it's way to ebay in favour of being about to spend the night in the
Slaughtered Lamb for Acoustic Open Mic Night.
And remember the rules - if you are at the front - move around!